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Title: | Hedwig and The Angry Inch: Plato at the Sundance Film Festival |
Author: | Gilabert Barberà, Pau |
Keywords: | Mite de l'andrògin (Plató) Tradició clàssica Androgínia (Psicologia) Eros (Divinitat grega) Cinematografia Estudis lesbians i gais Androgynous myth (Plato) Aristòfanes Classical tradition Platonisme Androgyny (Psychology) Hedwig and the Angry Inch (Pel·lícula cinematogràfica) Eros (Greek deity) Mitchell, John Cameron Cinematography Gay and lesbian studies Aristophanes Platonism Hedwig and the Angry Inch (Motion picture) Mitchell, John Cameron |
Issue Date: | 2008 |
Abstract: | The aim of this article is to show how an ancient myth, that of the three genres, also known as the myth of the androgynous by Aristophanes in Plato¿s Symposium, becomes for John Cameron Mitchell the suitable image in order to explain the peculiar personality of a man, Hedwig, who by means of a surgical operation becomes in his turn an imperfect androgynous but symbolises the need of a sole mankind or the unity of different worlds, just as he belonged to both Berlins divided by an already fallen wall, which permitted their inhabitants to recover their lost unity and identity. |
Note: | Podeu consultar la versió en català a: http://hdl.handle.net/2445/12166 ; i en castellà a: http://hdl.handle.net/2445/12165 |
URI: | https://hdl.handle.net/2445/12167 |
Related resource: | http://hdl.handle.net/2445/12166 http://hdl.handle.net/2445/12165 |
Appears in Collections: | Comunicacions a congressos (Filologia Clàssica, Romànica i Semítica) |
Files in This Item:
File | Description | Size | Format | |
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Hedwig eng 12167.pdf | 158.15 kB | Adobe PDF | View/Open |
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