Please use this identifier to cite or link to this item:
https://dipositint.ub.edu/dspace/handle/2445/12192| Title: | New York versus Tragedy and Oedipus. The Legacy of Sophocles and the Sophists in Woody Allen's "Crimes and Misdemeanors" |
| Author: | Gilabert Barberà, Pau |
| Keywords: | Filosofia grega Tradició clàssica Tragèdia grega Sofistes (Filosofia) Cinematografia Greek philosophy Crimes and misdemeanors (Pel·lícula cinematogràfica) Classical tradition Sòfocles, 496-406 aC Greek tragedy Protàgores, ca. 485-ca. 410 aC Sophists (Greek philosophy) Diàgores, de Melos Cinematography Críties, ca. 460-ca. 403 aC Antifont, ca. 480-411 aC Crimes and misdemeanors (Motion picture) Sophocles Protagoras Diagoras, of Melos Critias, ca. 460-ca. 403 B.C. Antiphon, ca. 480-411 B.C. |
| Issue Date: | 2008 |
| Abstract: | Beyond the explicit reference to the Greek tragedy and Oedipus, the aim of this article is to show the clear relationship, in the author's opinion, between what the protagonists of the film maintain and the theories of the Greek Sophists about God, the law, etc. An accurate analysis both of their texts and the screenplay of Crimes and Misdemeanors reveals different sophistic roots, which, in this case, cannot be attributed to the constant presence of the Jewish legacy in W. Allen's work. |
| Note: | Podeu consultar la versión en català a: http://hdl.handle.net/2445/12191 ; i en castellà a: http://hdl.handle.net/2445/12190 |
| URI: | https://hdl.handle.net/2445/12192 |
| Related resource: | http://hdl.handle.net/2445/12191 http://hdl.handle.net/2445/12190 |
| Appears in Collections: | Llibres / Capítols de llibre (Filologia Clàssica, Romànica i Semítica) |
Files in This Item:
| File | Description | Size | Format | |
|---|---|---|---|---|
| Cordova angles 12192.pdf | 401.99 kB | Adobe PDF | View/Open |
This item is licensed under a
Creative Commons License
